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How couture interpreted normality

21:49Jennie Barck

The purpose of couture has always been to create an escape from the harshness of reality to a fantastical world. It has surely never been wearability or being commercial, so why is it now almost coming to the point of looking like ordinary street wear? The prices aren't coming down, and the clientele isn't necessarily expanding into new consumer markets. It's still only the upper class and the hollywood stars that occasionally wear these couture creations, and mainly to red carpet events.

Street wear has long been known to inspire some designers' collections, when it used to be the other way around, and this is nothing new. Now however, haute couture designers are implementing the same technique, and this is undeniably affecting the extravagant nature of the creations.

There is a certain negative aspect to this as well. As Leandra Medine notes ”with wearability invariably comes commercial-ability, which is precisely the kind of soul crushing matter that depletes the whimsy of its indigenous imagination, that doesn’t let it simply be what it is and instead plants the kind of seed that is expected to blossom into a sartorial magnate”.

It is an extreme point of view, but she does have a point. Are people's personal style, however bland and basic becoming the new glamour? And if so, is the ingenuity of these designers lessening, or do we just not understand the artistic intention behind their glamourisation of normality deeply enough?

Valentino, Dior and Chanel SS 15 Haute Couture

Most people are unaware and would possibly be even reluctant to have their statement-less, everyday style, the style that they identify as individualistic interpreted by designers. Most of these people on the streets simply put on something comfortable, practical and convenient for the activities of the day, or what they find in the shelves of a high street store. Which, might I add, also interprets high end ateliers' work in a more consumer friendly way.


But this is the consumer's normality, which most likely has nothing to do with an innovative creator's idea of normality. Are we all just trying to fit into the same mold curated to us by society, including the couturiers? I always saw couturiers as people who walk their own path, unaware of other people's opinions and criticism. Which is exactly how it should be, an artist should not have to ask for permission to create a painting of his perception of the world, or try to create a painting that would appeal to the general public. It just simply sells better.


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